Sunday, November 2, 2008

an update on visiting artists at SAIC


Well, here are a few thoughts on some of the visiting artists I've seen while I've been in Chicago. The first major artist who came through was Martha Rosler. She teaches at Rutgers now. A large number of her photo-montages are up at the Art Institute so it was great to see her work up close and then listen to her lecture. She's an unusual artist in many respects, including the fact that she writes extensively and a lot of her work is assigned in my classes. You don't see that many artists who make seminal art who are also important writers on the arts.
Her work is in the art history books and usually it's the Bowery in Two Inadequate Descriptive Systems or her photo-montages of images of the Vietnam war paired with images from glossy fashion magazines ("Bringing the War Home: House Beautiful"). She has also done a bunch of great video work. I didn't get to meet her, but she was the mentor at Rutgers for Clifford Owens, the visiting artist who is teaching the Photography Seminar, so we've talked quite a lot about her work and her writing.

Here are some of Rosler's works:













Omer Fast was in the Whitney Biennial with video work and he visited SAIC as well. Another artist I didn't actually meet, but I did met three SAIC students who worked on his newest video installation ("Looking Pretty for God (After GW)"). He also did an artist's talk. Not a great talk, but really amazing work. You cannot appreciate the work in a static environment but really need to see it as a video to understand the intelligence and amazing craft of the work. Here's a link to part of the video from the Whitney: http://video.google.com/videosearch?q=omer%20fast&rls=com.microsoft:en-us:IE-SearchBox&ie=UTF-8&oe=UTF-8&sourceid=ie7&rlz=1I7GGLF&um=1&sa=N&tab=wv#q=omer%20fast&emb=0
The installation is much better. The entire video is about 40 minutes long and it is shown on 2 screns, with the front showing actors portraying a story that looks seamless. You walk behind the panels and you see the speakers in a traditional interview pose, talking, but you can tell from the visual how heavily edited the story is. In this video, the protagonist (an American soldier) describes shooting an Iraqi civilian and a completely different story of a very bad date he went on while stationed in Germany. Fast edits the two stories together so that they appear seamless from the front. He creates fiction from the "facts" of the video in pretty amazing ways.
As good as this video is, I prefer a piece he showed which was made right after he got his MFA. He was watching CNN all the time and edited the clips (almost never more than a single second in length) into a new narrative that he wrote. It is an amazing piece of editing and of writing. I wish I could find the text of it. Here's a short excerpt of that video: http://video.google.com/videosearch?q=omer%20fast&rls=com.microsoft:en-us:IE-SearchBox&ie=UTF-8&oe=UTF-8&sourceid=ie7&rlz=1I7GGLF&um=1&sa=N&tab=wv#q=omer%20fast%20cnn&emb=0
There is a constant stream of visiting artists and I can't summarize all of them here, but it is one of the cool things about this place.

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Friday, October 31, 2008

law and art don't mix

I'm having a heck of a time trying to make decent art and maintain any kind of practice as a lawyer. Anyone reading this blog any more?

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Monday, September 8, 2008

My First SAIC Project - rough

Here is the first thing I' m making in grad school (I use present tense because it is far from complete). The file actually has two video ideas in it. First is "spam," where some people (and I) read my spam in English, Japanese and Italian. While sitting in my hot tub. I wear a suit, they just wear whatever day clothes they have on. It's just my dumb luck that I thought to ask them to translate it. There will be several other men in the video, but I haven't had enough time to line them up yet.

Second is what was originally intended to be the intermittent shots between the scenes of people reading spam -- a girl dancing flamenco in the public park by my house while people walk around. I have three hours of tape and no idea how the entire thing will be finally edited. Maybe the dancing isn't necessary but it could be a separate video.... I may use stills of each of the people as a break instead. Or there may be no breaks at all. The lights, camera, script, sound, etc. are all purposefully cheap and low-tech. I don't know that fancy fades or editing is going to make the video better.

The video is for my projects class with Barbara. I met with her Thursday of last week and talked to her about using the spam but mentioned that I haven't figured out how to photograph it. She suggested using the spam (and said she has been collecting sex spam herself for a while), but she explicitly said to not make any photographs. And she wants to see it first thing tomorrow morning. I have no real experience with video. I checked out the most basic video camera and looked on youtube for videos about how to edit on imovie. I'm thinking of hiring the dancer, Liz, to be my Professional Nag through the first year of grad school and video taping each session. (she wants to be a professional nag as a business.)

My sculpture class was supposed to be the ultra cool class of the semester. Unfortunately, it's not a studio class. So we're reading lots and lots, and talking, and we make one project in class, which is ok, but I wanted to make stuff.

Today was the first day of the sculpture seminar and afterwards I went with a few sculpture kids to their studios to see them. They are more than twice the size of the photo studios. Tools and dust and saws and routers and amazing work everywhere. It really made me jealous. I wished I was in the sculpture studios all the time. The photo students haven't really figured out how to use the studios. We have the most pristine spaces. I went to CVS, where they are having a 90% off sale on summer stuff and bought several beach balls. I gave one to the guys in the studios next to mine and kept one in the studio group where I have a space. I'm hoping that we kick them around and throw them and maybe break something. Our studios are too new.

I took some cotton twine and thumbtacks to my studio and hung uup about 40 photos in hopes that other photo grads will follow the example and start using their damn spaces. I want to work with them. I want to sit in my space and make stuff and have a beach ball hit me in the head.

I guess it isn't fair to say the video is the first thing I've made in grad school. While I was in Houston last weekend, I pulled some very old Polaroid film out of the freezer, let it thaw, and ran it through an old camera. None of the photos came out. After the first one, I knew the film pack was ruined. But I continued making very purposeful photographs as if they would come out and then scanned the photographs together as a grid. A couple of them have some random chemical markings on them, but 8 of 10 are just blank. So each photograph has zero visual information but there was framing and exposure consideration for each. They are kind of interesting as "hidden" photographs but also as a pretty little grid. I will post the scan if the video ever finishes loading (it's 110 mb).

Since I haven't written anything for a while, I'll mention (while the damn video uploads) that there's way to0 much beer in grad school. I don't drink wine in public any more. I don't want everyone to seem me sucking down $10 or $12 glasses of wine. But, damn. These kids drink a lot of beer.

So when (if) the video downloads, remember that it is the first rough cut. There is another hour and a half of Liz being interviewed about her self, her family, her travels, thinking, relationships, etc. I hope to use it somehow.

Still waiting on the video. Hmmmmmm. Well, I have an art history class tomorrow where we were supposed to read 200 pages. Of course, I didn't read them all. And there's no way at this late date for me to do it. But i don't know how many passes I get on that front.

ok. I give up on the video. Another time.

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Friday, August 22, 2008

The Chicago Apartment



Here's the view out the front window. I'm right over the tan salon.

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Friday, August 8, 2008

Thursday, August 7, 2008